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How to Handle a Sus Chord Part II – Sus Blues

Most learning players approach a blues by combining the following two approaches: Using figures from the blues scales over quite straight old-fashioned blues harmony. Using bebop scales and language over elaborated “jazz blues” changes. There’s another way to go about

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Posted in a) Soloing Scales & Modes, b) Harmony & Comping

How to Handle a Sus Chord Part I – the Real McCoy

It’s a common problem among people learning how to improvise that they freeze when faced with a sus chord. I’ve often found that the reason people don’t know what to play over this chord type is that they don’t really

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Posted in a) Soloing Scales & Modes, b) Harmony & Comping, h) Transcriptions
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29 June – Trio with Ed Jones
27 July – Trio with Roberto Manzin
at Brasserie Toulouse Lautrec