Or is it? Here’s a recent YouTube post by Jazz Duets. Do watch it, and subscribe to Nick because he puts up some good stuff. Now then. All sorts of interesting ideas proposed and some useful approaches spun off. But…
Or is it? Here’s a recent YouTube post by Jazz Duets. Do watch it, and subscribe to Nick because he puts up some good stuff. Now then. All sorts of interesting ideas proposed and some useful approaches spun off. But…
I’ve admitted before that I’m not really much of a licker. But there are some gestures that are more than licks, they’re essential idiomatic vocabulary. Thanks to SG for pointing out that I’d missed this one from my bebop posts.…
Some thoughts on whole-tone scales, altered scales and passing tones. Ah, Thelonius Sphere Monk (certainly no square). A very influential composer and performer. He was once described by a hip journo as “the high beast of prebop” (clever Spoonerism or…
Bebop is ultimately all about being able to play any chromatic tone on any chord. Obviously, if we just play chromatically with free abandon, the harmony goes out the window. Theory dictates that we place strong tones on strong beats…
Bebop is much more than just one particular style, it is pretty much the “grammar” of modern jazz, and bebop “licks” are not so much cliches as essential elements of speech within the jazz language. Here are some bebop exercises…
This is a transcription of the two-chorus solo that pianist Bill Evans takes with the Miles Davis Sextet on Love for Sale. It’s taken from the Columbia recording originally entitled Jazz Track, although these days you’re probably more likely to…