Blog Archives

All About That Bass, Bout That Bass (No Trouble)

I’ve had a question about comping bass solos. Wow. Well, how long have we got… I’ll start by mentioning that I play some “journeyman” bass. I can do a reasonable job as long the tempos are gentle, the changes aren’t

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Posted in b) Harmony & Comping, c) Musicianship, e) Rants & Ramblings

Threepenny Lyrics

Bit of fun this week. I sat in on a gig the other night and the singer called Mack the Knife. It’s an interesting one because it’s harmonically very simple – just the four main chords of the key, but

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Posted in b) Harmony & Comping, e) Rants & Ramblings

Meet Aimee Nolte

Gang, this is Aimee; Aimee – the gang. She’s a prolific YouTuber (channel here) and I recommend you spend a couple of hours in her company. There’s not a lot she hasn’t already covered, or doesn’t plan to cover, but I’ve

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Posted in b) Harmony & Comping

Beatomania

A very good YouTube video resource here. Rick Beato is an Atlanta-based jazz, classical and rock musician turned engineer and producer. He’s just as much at home talking about Allan Holdsworth or Pearl Jam as Stravinsky or Hans Zimmer. He knows his AKG C414 from his

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Posted in a) Soloing Scales & Modes, b) Harmony & Comping, c) Musicianship

1959 and All That

There was a documentary a while ago on 1959 as the year that changed jazz for ever. It focused on Miles’ Kind of Blue, Brubeck’s Time Out, Mingus’ Ah Um and Coleman’s Shape of Jazz to Come. Of course, jazz

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Posted in b) Harmony & Comping, e) Rants & Ramblings

The Value of “Huh?”

I was recently asked about how to play the second chord in Jobim’s Wave. I don’t think my correspondent would mind me saying that he’d got himself rather tangled up in analysis and choices of diminished chords. Here’s where the

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Posted in b) Harmony & Comping

Dominant Ice Cream

I’ve been asked to post something about how jazz musicians play fast and loose with V chords when comping. And boy, do they. Well, I’ll start by observing that the chord alterations we’ll look at are also used in contexts

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Posted in b) Harmony & Comping

The Third Rail

Or the noble art of electrocuting yourself and living to laugh about it Jazzers of a certain vintage used to refer to what we mostly now call “avoid notes” as “the third rail”. It’s a train analogy. The third rail carries

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Posted in a) Soloing Scales & Modes, b) Harmony & Comping

Clearing Up the Leaves

Seems an appropriate time of year for this thought. The hardy standard Autumn Leaves… Harmonically, it’s a very simple tune. It’s basically just turnarounds in a related major and minor key pairing. So why is there usually either an unusually

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Posted in a) Soloing Scales & Modes, b) Harmony & Comping

Take Four

Bit of fun this week. I’m not down on pop music at all, but I can be forgiven (I hope) for noting that a lot of it sounds suspiciously similar. Well there you go, some harmonic progressions just work and…

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Posted in b) Harmony & Comping, e) Rants & Ramblings
Books for Sale
...appetising young books for sale... Pents book is recommended reading on Gary Burton's Berklee course.